Caricatures for PianoOpus 33, 30, J.A.Ritchie Bellbird
Caricatures is a compilation of piano music by father and son composers John and Anthony Ritchie. The volume is designed for pianists of about Grade 8 level and above.
Caricatures is named after John Ritchie's delightful Three Caricatures for Piano (1987). Originally written as incidental music for the Moliere comedy 'Le Malade Imaginaire', the movements are a Toccatina which describes a hypochondriac father, a sentimental Sarabande describing the devoted daughter, and a lively Jig poking fun at the medical faculty.
The other pieces in the volume were written by Anthony Ritchie.
Olveston Suite(1988), has six movements which were inspired by rooms in the historic Dunedin home, Olveston.
There are three pieces from Anthony's early piano work Poems of Spring (1981): Yearning, Lover's Dance and Calm. These pieces complement the other five 'Poems of Spring' which were published by Promethean Editions in their volume entitled 'Firestarters'.
Rounding off the volume is Music for Tristan (1988), named after the composer's son. It was composed for Sharon Joy Vogan and recorded by her on the SOUNZ CD 'Finemusic'. The slow and expansive outer sections contrast with the lively inner sections. Showing echoes of Ravel and Bartok, it is the most difficult of the pieces in Caricatures, and would be suitable for L.T.C.L. level.
The price of this volume is NZ$24.95. Order by emailing email@example.com
Peninsula Suite was released in May 2007. It is a collection of 6 piano pieces describing wildlife around the Otago Peninsula. Each piece aims to describe a feature of these animals as well as offering a variety of technical challenges to the pianist. Peninsula Suite was commissioned by the Otago Branch of The Institute of Registered Music Teachers, and was written for pianists of grade 4 or 5 level.
The Viola Sonata is a version of the Viola Concerto which was written while Ritchie was Composer-in-Residence with the Dunedin Sinfonia in 1994, and first performed in Dunedin the following year, with Donald Maurice as the soloist.
It is a personal work in which the viola takes on various characters, and describes human relationships. The solo part speaks in a natural and uncontrived voice, and consequently there are few shows of virtuosity in the concerto.
This set of 4 songs includes the well-known 'Time-piece', a striking
setting of Cilla McQueen's quirky poem. Suitable for adult and
advanced youth choirs. Note: 'Time-piece' may be purchased separately
For fifty years (1951-2000) John Ritchie composed a carol (or a snippet) for the Christmas cards he sent to friends all over the world. In recent times the Jubilate Singers, conducted by John Pattinson, performed many of them at concerts and included fourteen on a CD of Ritchie's choral music titled 'Winter and Rough Weather'.
This publication of unaccompanied carols offers nine of them dating back to 1954. They cover a wide variety of moods in John Ritchie's unmistakeable style with its clear textures, surprising key changes and delightful word-settings.
Good choirs will find them easy while average choirs (large or small) will be rewarded by thorough rehearsal. Many of the settings offer new slants on the seasonal message.
$15.00 ISMN M-9013201-3-0
Four Songs for Baritone & PianoOpus 42, 3, 73 Bellbird
Four Songs for Baritone & Piano
My Father Today - words by Sam Hunt The Bay - words by James K. Baxter Lament for Barney Flanagan - words by James K. Baxter Tangi - words by Hone Tuwhare
These songs for baritone come from three different compositions by Anthony Ritchie.
My Father Today and The Bay are from To Face the Night Alone (1990) for baritone, choir and orchestra, composed originally for the City of Dunedin Choir.
Lament for Barney Flanagan (1981) is a stand-alone song, composed while Ritchie was still a student at Canterbury University. It was premiered by his friends Campbell McLachlan (baritone) and Alistair Lennie (piano), at the Cambridge Music School in the 1980s.
Tangi comes from the chamber opera The Trapeze Artists (1995), commissioned by Louise Petherbridge and first performed at the Otago Festival of Arts, in 2000.
These songs have been slightly edited and revised for this edition.
The poems by Hunt, Baxter and Tuwhare deal in various ways with the themes of loss and death. My Father Today and Tangi are laments for lost loved ones. Lament for Barney Flanagan mourns the death of a publican in a more ribald manner, sounding a cautionary note to all heavy drinkers. The Bay mourns the loss of childhood innocence, with reflections on the poet's early days around the seaside town of Brighton, near Dunedin.
These songs may be performed separately or as a group.
Tutira Mai is a traditional Maori song which has been arranged for female voices. It was written for the Rangi Ruru Chorale in 1988, and this original version was for sopranos, altos, solo flute, solo cello and piano.
The piece proved so popular, particularly with school choirs, that a second version which didn't require the solo instruments was produced. The second version has identical vocal parts to the first, but only the piano for accompaniment. Both versions last one and a half minutes.
Two Bird Songs have been included in the Initial Grade of the Trinity College Singing Syllabus this year.
Albatross, Flying So High by Anthony Ritchie
Albatrosses are regular visitors to Dunedin, New Zealand. Each year the birds of the colony return from their ocean voyages to nest.
Korimako, Bellbird by Sue Court
The Korimako, or Bellbird, is native to New Zealand and is famous for its beautiful and complex bird-calls.
These songs originally appeared in Moa Music, a collection of 18 children's songs with a common theme of New Zealand wildlife, by Anthony Ritchie and Suzanne Court. It was published by Trio Publications of Dunedin, in 1995, in book form and on cassette.
Anthony Ritchie wrote songs for his young son Tristan, based on their shared experiences. Suzanna Court found inspiration for her songs in her various pets and childhood memories.
These songs have been very popular amongst singers in both recitals and competitions, and have had notable performances by Deborah Wai Kapohe, Jenny Wollerman and Pepe Becker. They are easy to learn and offer satisfying vocal lines, combined with lovely texts by two of New Zealand's most well known writers.
Song - poem by James K.Baxter
A soulful evocation of the figure of Jesus Christ as a working man.
He Moemoea (A Dream) - words by Keri Hulme
Portrays a quintessential New Zealand image, a child dancing on a beach. It is lively in character and provides a nice contrast with 'Song' which is slower.
The piano part in both songs is colourful but not too demanding technically.
He Moemoea is also available in a higher key (a tone higher) for sopranos.